Released in 1999, The Virgin Suicides, Sofia Coppola's directorial debut, comes from the namesake novel by Jeffrey Eugenides (The Virgin Suicides , Mondadori 1994). Like the book, the film mixes the tones, in turn elegiac, funny, outrageous, and focuses on atmosphere more that on the plot. Fascinated - as also reflected in later films - the one that the critic has called the site Emanuele Boccianti Offscreen "the instant of zero growth path of a woman", the American director takes the inspiration provided by reconstructing the past few months Eugenides life of the five Lisbon sisters through the eyes and voices of a group of neighborhood kids fascinated by these beautiful girls, and unhappy. A sort of greek chorus together painful and seconded that, to quote the critic Michiko Kakutani's review of the novel on the New York Times , has the effect of "transport us to that mythical realm where fate, not the meaning Common or psychology, to dictate law ".
Tuesday, May 25, 2010
Dark Brown Violet Hair
Film: The Virgin Suicides
Released in 1999, The Virgin Suicides, Sofia Coppola's directorial debut, comes from the namesake novel by Jeffrey Eugenides (The Virgin Suicides , Mondadori 1994). Like the book, the film mixes the tones, in turn elegiac, funny, outrageous, and focuses on atmosphere more that on the plot. Fascinated - as also reflected in later films - the one that the critic has called the site Emanuele Boccianti Offscreen "the instant of zero growth path of a woman", the American director takes the inspiration provided by reconstructing the past few months Eugenides life of the five Lisbon sisters through the eyes and voices of a group of neighborhood kids fascinated by these beautiful girls, and unhappy. A sort of greek chorus together painful and seconded that, to quote the critic Michiko Kakutani's review of the novel on the New York Times , has the effect of "transport us to that mythical realm where fate, not the meaning Common or psychology, to dictate law ".
Released in 1999, The Virgin Suicides, Sofia Coppola's directorial debut, comes from the namesake novel by Jeffrey Eugenides (The Virgin Suicides , Mondadori 1994). Like the book, the film mixes the tones, in turn elegiac, funny, outrageous, and focuses on atmosphere more that on the plot. Fascinated - as also reflected in later films - the one that the critic has called the site Emanuele Boccianti Offscreen "the instant of zero growth path of a woman", the American director takes the inspiration provided by reconstructing the past few months Eugenides life of the five Lisbon sisters through the eyes and voices of a group of neighborhood kids fascinated by these beautiful girls, and unhappy. A sort of greek chorus together painful and seconded that, to quote the critic Michiko Kakutani's review of the novel on the New York Times , has the effect of "transport us to that mythical realm where fate, not the meaning Common or psychology, to dictate law ".
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