Tuesday, March 15, 2011

Andy Honda Cody Dawson

Dorine AND OTHER

Dorina This time you are asleep. He kept his eyes open. I had guessed the right trend, at least for you?

Dorina is always elegant, organized, stick with the style that enhances rather than deny it, short white hair barely moved, a sweet smile on his lips when greeting, a necklace of amber corollary of ancient coquetry. Who knows.

During all our previous meetings as soon as I started reading here it is fall asleep and wake up only later, when the book closed and turned off the voice, as if my telling it not serve to facilitate sleep. A frown. A pet peeve. After all even a lullaby has its own because it is true, and yet ... ..

This time do not. I had to see it. I read a tale of the Tuscan tradition, one of the many variants of the story of Cupid and Psyche, the most popular in my childhood: the Stretta leafy street, your say that I told my is the title of collection.

And that's how I started, and who knows what this incomprehensible nursery rhyme has also contributed to fish between the memories of Dorina few threads to weave, awakening, literally, his interest.

And the other the rest of me seemed more involved.

Call childhood and myth.

Santina, the youngest, to laugh with her throaty laugh and scratched, the almost incomprehensible language, the trailing end of a typical southern dialect, the attitude of virginity as a teenager and the sudden blushes, underlining the crucial steps of ' action, the discovery of the beauty of the husband by candlelight, and evidence dealt heroin. What story there Rice will be behind that? Every now and then come to the meetings out of breath and sweating: it has just finished ironing, because I believe that Santina is one of the non-paying guests, and then collaborates with the housework.

Emma, \u200b\u200bthe gruff, standing there as if by chance ("What have I got into all this? I'm here to embroidery or knitting, and the whole 'people are a little' annoying), the rigid legs resting on the chair opposite, sticks to the wall ready for use. But Emma is awake and listen, nothing escapes, not even when my voice cracks and he offers me a glass of water. Yet at the start of this experience was an absence, seemed to say: do as if I was not there. She was not among the interested to read between the Autoconvocate or convened. But it has become among the most loyal and assiduous. There

Lina, sdentatella and almost always smiling, I said almost always, but sometimes it comes with a grudge, who has quarreled with the complaint as a nun or ....: Even as I read to her every so often tarnish the eyes. There are

Marie, and Mariuccia Mariolina. One of them, I do not remember which of the three different answers, it is as if he were always on edge, often spy the clock, and no later than five minutes before the reading hour is over you shake the chair almost begging to be vacated to go away. Play a little, is always a bit 'grumpy, think of its duties, under 11 must set the table. But it is also the one that once, when I said, 'But you know that I'm fond of you? svirgolò suddenly from his position, almost fell with excitement and had an expression, a twinkle in his eyes, which never forget. But is not listening, always.

There is the timid, Rosaura, is Ivan, a recent purchase that may have replaced Alma, or Gabriella? Not to mention all. Maybe next time I will make a monograph on Rosaura or Ivana, I want to study them better.

's a strange place, this. Whenever I go there I have a fear, to ask why there is no Titian or Caia. The last few times I've missed two or three of them, and I wanted to ask about, I dreaded the answer. I missed Raffaella, the Sicilian doctor (the medical Sicilian? We need to reform the vocabulary, damn!), His lines full of classical culture, though confusion, jokes, proverbs, the idioms of popular wisdom. I miss Gloria and his mysticism, and the provocative context required to purchase a girdle garters: with the stretch, he said, the third measure, flesh-colored, please buy me?

E 'happened twice already that they are missed, and I was told the reason.

The first of Alma, one of my favorites, it's ugly express preference perhaps, but Alma really entertained me with his curiosity, wit, with his comments as appropriate. We can say that around her had created the group.

I had asked (and had also asked Laura agrees with me that the appointments weekly) series, she liked my colorful necklaces, and eventually him I had chosen a particularly lively. A few days later she died, gently, in his sleep, but it was a pain to find her. Gabriella Then, loving, modest, quietly disappeared to, I had not noticed, I had to ask: But Gabriella? E 'mooorta said Santina, as if it were the most natural thing in the world. In fact, it is natural. They go to church, participate in the funeral in a disciplined, aware of how the other, the other will watch your body with affection and participation disenchanted.

E 'if this thing started to read to the ladies who spend the last years of their lives in a nursing home. I've always loved to read to others, to accompany the need to communicate with the pleasure of reading, sharing the beauty (and sometimes, inevitably, the ugly). Those were years that I thought of inventing something to put into practice, I proposed something Italian Blind Union, but had not gone to port anything. Then, thanks to Raethia, everything is concrete, almost in an instant.

I said to myself that it is a job "to lose". Do not fall into any category, nor do I think of a voice, a chapter that could lead to rules of the so-called market.

But it is his absolute selflessness, his complete uneconomic to make it something precious, for me at least , is the 'on the' beautiful, I tell myself in Tuscany that I'm Sicilian, so I celebrate so also the 150th anniversary of the unification of Italy.

Free Brest Exam Costume

Source S.Angelo.Semprevisa

Fonte S.Angelo
Source S. Angelo is one of several sources that are at the foot of the Group of Semprevisa , the highest mountain in the Lepine.
The source is located at 954 meters and providing water to the town of Bassett (several decades ago, even the City of Sezze), along the trail there are buildings and water supply pipes visible in places.
The water is so abundant that in places, is forced out into the soil with powerful jets .



This source was also important from the standpoint of nature because you are the crested newt and, in spring, even the rare spectacled salamander .
Sunday, February 6 after traveling the path from the village Fosso Sant'Angelo Camporosello goes up, many also used for sports training, arrival at the San Angelo Source where majestic oaks attract my attention.
While I am photographing an oak, by the strange angle, and I'm calling leccio inclinato hike close to the source who calls me telling me if I was interested to see something beautiful!
I go and so I show a fine example of a newt , about 15 cm, which moves quickly.
The newt is an amphibian belonging to the family of salamanders, lives in stagnant water in winter and takes refuge under the roots of trees, but it is not easy and so this is a piece of luck!
There are different species and almost all, including the crested newt, are protected.
I can not photograph it though! Why take shelter under fast water plants. So thank
hikers resumed the climb, while I turn the lens toward the clouds that are rising fast from the bottom ... one of the most beautiful sights you can see the mountains!

Monday, March 14, 2011

How Long Should You Wait To Wax After A Tattoo

Only the D1 team holds high the banner of Young

weekend where you and 'touched the total debacle for the teams Tifernate. In
round of the championship this weekend, which began on Friday 'with the D2 Mario Aldinucci, Corrado and Joel Benedetti, where the trip to Passignano the three points were not enough of Mario, having to give up their opponents for 5 to 3.
On Saturday, took to the field the two teams involved in the national championship series C1, where training "A" which saw the return of Paolo Carloni after a long stop, home to the Velvet Beach in Senigallia, the team control group and unbeaten, defeat enough hold, where our players do not go beyond the 5 to 1. The defeat
more 'bitter' was that of training "B" engaged in the transfer of Perugia in a direct clash for salvation, and 'exit 5 to 1 defeat.
Sunday morning, the last team to take the field and 'was to D1, the trip to Perugia against the Horseshoe, where Tifernate Falcini with Lorenzo, Roberto Lisini and Marco Marinelli (Tifernate you and the team' also allowed the luxury of leaving aside Alessandro Baglioni) have betrayed the expectations, with three points and two by Marco Roberto have won the match by 5 to 2. Three days after the championship, the formation of D1 now has mathematically won the victory in the group and qualifying for the playoffs promotion to the championship of C2.

Wednesday, March 9, 2011

Sunwarrior Pea Hemp Protein

Poetry / Poetry: Jennifer Scappettone Juvenal and Mark

Sunday March 13, at 21:00 , at the Circle of Fifths, Viale Trento 4 April, for the cycle Italianamerica - Double Exposure / Double Exposure, readings

Jennifer Scappettone
and
Marco
Juvenal


Jennifer Scappettone published collections From Dame Quickly (New York: Litmus, 2009), Err-Residence ( Milwaukee: Bronze Skull, 2007) and Beauty [Is the New Absurdity] (Dusi / e Kollectiv, 2007), and, as a curator, Belladonna Elders Series # 5: Poetry, Landscape, Apocalypse (New York: Belladonna, 2009 ) , which collects his recent poetry and prose along with new writings of Etel Adnan and Lyn Hejinian. Ode object / Thing Ode (Rome: The Green Room, 2008) was translated by Mark Scappettone in dialogue with Juvenal. He is working on an "archaeological" landscapes of toxic and operetta windows 'pop-up' titled Exit 43. He translated from Italian opera poetry of Amelia Rosselli, to be released with the University of Chicago Press as Locomotrix: Selected Prose and Poetry of Amelia Rosselli , and has edited a dossier on contemporary Italian poetry of research for the magazine Aufgabe (2008 ). is being a critical study of modernism and postmodernism in Venice entitled Killing the Moonlight: Modernism in Venice . has collaborated with choreographer Kathy Westwater and the architect Seung Jae Lee in a series of performance / installation in the first performance, entitled PARK, took place in Dance Theater Workshop and Fresh Kills Park in New York City and Reed College in 2010-11. Texts, readings, and video are collected and linked to http://oikost.com and http:// writing.upenn.edu / pennsound / x / Scappettone.php . Scappettone is Professor of Literature and Creative Writing at the University of Chicago, and is currently the Rome Prize Fellow at the American Academy in Rome.

Marco Juvenal (1969) lives and works in Rome as an editor and translator, working to the Bibliography of Italian Language and Literature, published by Salerno. His most recent book of poems is Shelter (Donzelli, 2010). He is the editor of
gammm.org , puntocritico.eu , "Now," and various web spaces. Collaborates with the cultural pages of the manifesto. His texts have appeared in the magazine, inter alia, "the boar," "Poetry," "New Topics", "Reports", "Aufgabe", "Action Poétique ',' Nioques ',' The New Review of Literature." Other recent books: A Gunless tea (Dusie, 2007), The house exposed (Letters, 2007), solution of the matter (The Green Room, 2009), History of minutes (Transeuropa, 2010), Most (PoliMI, 2010). poems and prose are in antologizzate plural word (Sossella, 2005), ninth book of contemporary poetry (Marcos y Marcos, 2007), volume Antonio Delfini prize 2009, and n. 30 (2011) de "Enlightenment," a c. V. Ostuni, dedicated to the years Poets Zero. By the editors of gammm is in the volume collective prose Prose (Letters, 2009). For Sossella oversaw in 2008 the collection of Roberto Roversi Three poems and some prose . In 2010 he invented the aggregator http://du-champ.blogspot.com , that map approximately 900 sites and blog search literary, visual poetry, photography, flarf, experimental writing , mail art, writing asemic .

Tuesday, March 8, 2011

Does Raspberry Zinger Tea Soften The Cervix

Old City of Privett

Palazzo Comunale di Priverno Privett is an ancient town in the province of Latina , was a powerful city of Volsci destroyed by the Romans in the fourth century . and became, later, a rich Roman colony .- http://www.comune.priverno.latina.it/
the long history of this center are in evidence Municipal Archaeological Museum , in ' archaeological area of \u200b\u200bthe Assumption and Old Town presenting ancient and beautiful medieval buildings .
Center Privett is the square of one side that sees the Town Hall and on the other Cathedral.

The town hall dates back to 1200, recently restored, has undergone several renovations over the centuries, but has retained characteristics of municipal buildings.
the bottom has a porch that has three elegant pointed arches, the upper floors instead there are three lights and windows.

leone stiloforo della cattedrale The cathedral is dedicated to Santa Maria Annunziata, was consecrated in 1183 but several changes have transformed the original Romanesque structure.
remain elements of the thirteenth sec.nel portico of the facade that has vaults supported by columns and pillars held up by lions .


Walking in the country and uphill along the narrow streets, with old stone houses, suddenly opens fascinating glimpses of the landscape ... and so you can see the mountains that surround Ausoni Lepini and Privett, right in the valley that separates the two mountain ranges via del centro di Priverno .

Monday, March 7, 2011

Z-transform Stability

Tifernum TT TT Tifernum always at the top

last regional tournament that has' played Sunday in Terni was also attended by some youth of the TT Tifernum where they separate bottle expectations.
In the race young (under 10) Tifernate the three who took part, were classified in the first four. Tournament was won by Lorenzo Falcini , the second victory in as many races. Very good for
Borio and Philip Lawrence Br accion , both debuting in the race, were classified respectively the third and fourth. Result very well-wishing for the nursery Tifernate.
same tournament was also Alessandro Carloni ( already 'category dominating Juniors, winning three tournaments in three) in this day and' dedicated solely to the race fourth cat. where, with a series of wins and 'rose in step more' top of the podium, repeating so 'winning the first tournament of the season. In the fourth race
cat. Stefano Castellani and also 'went on the third step of the podium.

Elf Shelves Compatability

Regional Tournament, Terni 6/3/2011



Thursday, March 3, 2011

Vote Of Thanks For Samples

Ishiguro, the enigma of replication

A conversation with the British author of Japanese origin, who with his last novel, Do not leave me , recently released by Einaudi, has a parallel world where cloning is a reality. But the events futuristic appearance of the characters allow the author to reflect on issues that are dear to him as the difficulty to arise in a conscious way of their destiny in the brief flash of human

MARIA TERESA CARBONE

In his enthusiastic review of Kazuo Ishiguro's latest novel, Never Let Me Go - Do not leave me in Italian , translated by Paola Novarese Einaudi (pp. 295, € 17.50) - Canadian writer Margaret Atwood, however, that the book probably is not going to please everyone, to become "everybody's cup of tea." A synthetic way to warn readers that the text of Ishiguro likely to deter those who enjoyed the title so far the most famous writer, The Remains of the day (and even more movie that has made James Ivory), with its melancholic reconstruction an England to its full splendor. Do not leave me at least apparently differs completely from that atmosphere and brings the reader into a kind of parallel reality: set in the nineties, the novel revolves around the adventures of three young men - Kathy (narrator of the book), Tommy and Ruth - who, raised in a boarding school nestled in the English countryside, they face their sad fate. As the author makes it clear gradually, in fact, the three boys are actually clones, the function of organ donors assigns them to a premature end and, at least within certain limits, resigned. Yet, despite appearances, do not leave me reveals more than one point of contact with Ishiguro's previous novels, The Remains of the same day at the beautiful The inconsolable. From these similarities begins our meeting with the writer, these days in Italy just for the presentation of the novel.

At first glance, the fact that the protagonists of not leave clones appears to be the key element of the novel. Yet, a closer reading, you feel that cloning is only a pretext to stage issues have little to do with scenarios related to research in this field.

In fact, the scientific aspect of cloning does not interest me much, as I do not feel particularly affected by the ethical problems that may raise the issue. Indeed, the choice of taking clones as protagonists of the novel has come very late, was one of the last things I decided. I started writing this story about fifteen years ago, after the release of The Remains of the Day . Even then, the center of the story was a rather mysterious group of young people who lived in the English countryside, but in that first text, which I then left to write The inconsolable , their fate was somehow linked to the use of atomic weapons. Later, when the novel was published, I began to work on those materials, but again to no avail. And finally in 2001 after the publication of When We Were Orphans , I found the key by listening to a morning radio program on the cloning, I realized that if I replaced the nuclear weapons through biotechnology could I run history. But what I really wanted was to present a group of people with a reduced life expectancy, about thirty years, a situation that could become a metaphor - a sort of distorted mirror - the human condition, that we all grow old and die, but we tend to evade this fact. Besides, I realized that having clones as the protagonists of the novel would bring other benefits, that I might face in an unusual way the old questions over the centuries in many literary texts: What is a human being? there is a soul? what is the purpose of our lives? These questions, which fill pages and pages of Tolstoy or Dostoyevsky, are very difficult to translate for the writers of my generation, even seems to lack the appropriate vocabulary. If the fiction and the cinema of today, from a Terminator Houellebecq, often figures of clones or cyborgs is just from a different perspective to discuss an ancient theme.

On the other hand, do not leave me in seem to resurface themes explored in The Remains of the day or in inconsolable : Kathy in as early as butler or porter emerge - along with the painful sensation of the limit set by his condition - a form of pride, almost an idea of \u200b\u200bbelonging to an elite.

The perspective that effectively unites these characters derives from the attempt to find a source of pride and dignity in the role that was imposed on them. It is difficult for anyone assess its position in a larger world, we all tend rather to make us a great idea of \u200b\u200bour little area. Kathy, for example, does not challenge the system in which it appears, but look at all ways of being a good version of what is to be given. And for me, I admire the effort to live with dignity in difficult circumstances. I find it fascinating to explore these characters, who are rebels in a minor key, and only gradually, with great difficulty, change positions.

All his novels are characterized by the presence of a narrator. How he came to choose Kathy as "voice" of Do not leave me?

When I wrote my second novel, An Artist of the ephemeral world, I was initially "wrong" the narrator, and this led me to work harder and further. Since then, the choice of narrator is one of the data to which more attention. In some ways I could say would like to bring my characters to a real test. In the case of Do not leave me, however, the choice of Kathy has been relatively easy because I wanted this story revolves around love and friendship, and Kathy was in the right position, almost in the center of love unaware that test for and friendship with Tommy Ruth, difficult but profound friendship. Again, this was very important for me, I wanted to show how two people in a friendship can sometimes hated, and even hurting themselves while feeling the deep bond that unites them. In Do not leave me, as indeed in The Remains of the Day , love and friendship, and how these feelings are part of a life that passes too quickly, to represent me at the core.

In this novel, however, even the art - to which small clones are encouraged - seems to play an important part.

Within school attended by the protagonists of the book applies the principle - very common after all - according to which the art would be a test of our deepest humanity, and therefore also the possibility for the clones to have a 'soul'. But art, and in general the idea of \u200b\u200bleaving a trace behind, is mainly one of the tools at our disposal to mitigate the idea of \u200b\u200bdeath - and this is particularly evident for the characters of Do not leave me , are denied the possibility of having children. At the same time, however, I tried to emphasize in the book the old theme, this fairy tales and myths, according to which only love can sweeten death, or even can change the rules, in short, that love is stronger than death: an idea is silly, of course, but it is an idea that I would like to believe.

Why did you choose to set a story apparently futures today, and indeed, to be exact, in the nineties?

If I set the novel in the future, I ran the risk that the story sounded like a warning or a prophecy. I wanted instead of the readers felt like the world described is only a reflection of the unusual lives we lead today. But my choice was also conditioned by aesthetic reasons: the futuristic landscapes and environments to Blade Runner not interest me, and I did not want to waste time and energy to imagine the future of automobiles or vending machines. I did however create a weird version of England, based on England that I know, but at the same time very different, almost the opposite of the country which was described in The Remains of the Day: the grand and magnificent, here dark and gray, as if the colors were eliminated or mitigated. Empty fields and the skies are covered, as seen in the coastal towns in winter, agreed well to the general feeling that I wanted to make history by including the love and friendship on a background of melancholy.

Just recently came out in Italy by James Ivory film The White Countess , of \u200b\u200bwhich she wrote the screenplay. As it developed its relationship with the cinema?

In fact the beginning of my career, I had already written a few screenplays. And later, when I became a full-time novelist, I continued to deal with passion for cinema, among other things, putting together a very extensive collection of DVDs and video. So the proposal to write the screenplay for The White Countess (and already a few years ago to The Saddest Music in the World , the filmmaker Canadian Guy Maddin) attracted me very much. Besides, as a novelist, working alone, a situation that in some ways I like, but with the passage of time also presents some risks, because the lack of a comparison hinders the possibility of personal growth. Even this, however, I find that writing fiction and film belong to two different worlds: a little 'because a script is never a "thing over," but has been conceived thinking of his target, a little' because it is necessary to think in terms of images and not words. There is also a third difference, that touches me in a special way: in the film the camera is the nature of things outside action. In short, there is no narrator in the film.

(from the "manifesto", 17 February 2006)

Tuesday, March 1, 2011

How To Open Casehard Combination Locks

Excursion to Macchiarvana

inizio sentiero verso le piste Shortly after the passage of Forca d'Acero which marks the border between Lazio and Abruzzo along the highway, you arrive at the resort of Macchiarvana , within the National Park of Abruzzo, Lazio and Molise- http://www.parcoabruzzo.it/
Macchiarvana is a plateau at about 1500 md 'height where there are cross-country skiing of various lengths, considered the finest and largest in central Italy.
Beauty is especially due to the landscape that runs through it, full of beech trees and surrounded by a ring of mountains, including Mount Quiet and Serra del Re .
Macchiarvana plateau is also home to the National School of cross-country skiing.



In recent years, it is possible to traverse the with woods of snow-shoes, being careful to go into the woods and not to occupy the slopes. The
snowshoeing, or snow-shoes, are becoming more common in recent years, because they allow, even to those who can not ski, you can make beautiful walks in the snow in the woods.
E 'on the last Sunday of February and the snow is a Macchiarvana, we headed to the sanctuary of Mount Calm and tried as much as possible, to keep us away from the slopes.
alberi e neve a Macchiarvana


On soft snow, the life of the forest, hidden during the daytime, it leaves traces that we observe in silence. And so we see footprints Pet somebody tried to identify by hypothesis .. Meanwhile we continue to walk in silence and suddenly red tracks, a short distance from each other, they make me think of a wounded animal.
often encounter traces of blood in the snow in the morning, an unequivocal sign of the natural law of predation, which is repeated in the evening hours, away from the prying eyes of men the biggest and invasive predators.
Along the way, before the ascent is made steeper, we make a short detour to see the large, charming square of Campo Rotondo .
There is snow white and compact, it seems not even recorded by the animals, the trees are all around the field and really form a large circle, with some small depressions, from which emerge at times of limestone boulders.

White Campo Rotondo, not broken by the gray trunks of beech trees is very blinding without glasses, but see it and get lost in its vast white is really a great experience!
Come back through the center of the basin slopes and the original wooden houses the ski school
show us that the path is finished ... and we expect the desserts and coffee bar that is placed right at the beginning of the slopes Macchiarvana.